Friday, 23 May 2014

This week in the studio...

... I've spent a great deal of time working on a house wrap stencil (the wrap is actually  fibreweb by Typar).

I spotted the design on the bottom of a plastic tray for plants from the greenhouse...I stole it from long-suffering John, of course.  He knows that nothing is safe from my thievery if it's patterned, and knows enough to lock away any similar items when he thinks he'll need it later.

Transferring the design with a black pen, I then used my trusty stencil burner for hours and hours and then even more hours (it's a 12" x 14" stencil).

I love the pattern, cutting mistakes, warts and all.

While I'm rarely happy with the first print on a Gelli plate pull,

 I love the ghost prints,

which range from strong to subtle.

 And of course, after a while the stencil itself gains some beautiful colour.

Helpful Hint:  When using a stencil burner, ensure that your glass support is tempered, and that you use a steady slow motion.  It's particularly tricky burning a house wrap 'fabric', as they tend to be lumpy, bumpy and grooved.  I like this brand for its linear quality, though, which adds another dimension, particularly to Gelli prints.

I love these hand-burnt stencils for a couple of reasons - they are very thin and lovely to place underneath a commercial, thicker stencil, and because I cut them myself they have that hand-crafted look that is unique to the maker.  Check out Tuesday's post find out how you can learn more about Gelli printing!

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