Showing posts with label paper. Show all posts
Showing posts with label paper. Show all posts

Friday, 14 November 2014

Paper, glorious paper...

I can't get enough of it.  I've got it in in so many places in the studio it's a wonder the place doesn't collapse under the weight of it.

My stash for images and collage
'Scrambles' paper pinned to the wall

Gelli prints piled high on the table
Oversize paper in slots of cardboard

Cardstock stacked on shelves in the cabinet
Painted papers in rolls of varying sizes
It's my belief that one can never have too much paper in a studio, so I've created a video for you about a great method for painting papers.

Will you join me in my addiction?



Saturday, 15 September 2012

Sandwich anyone?

I love YouTube for the endless array of creative techniques one can find there.  One of the recent ones I've tried is a method of bonding paper napkins to card stock.  It's a bit like building a sandwich:

Starting with a sheet of parchment paper laid out on an iron board, you then add a layer of card stock, and cover it with a sheet of plastic wrap.


The next layer is a single sheet of napkin, FACE UP (most napkins have three sheets, and although it's a bit fiddly getting down to the single top layer, it's well worth it).


It's topped off with another layer of parchment paper, and then ironed on the hottest setting until the plastic wrap melts and bonds the napkin to the card stock.

You can reuse the parchment paper many times (or at least until you burn it past redemption by inadvertently leaving the iron on it).

Some napkins have a 'shadow' or 'ghost' middle layer in them, and they can make interesting backgrounds for paintings, too.

The resulting (heavier) paper has a lovely textile feel to it, and can look quite different depending on the colour of card stock you use behind the very thin napkin.  In the one below, I've used white card stock on the right and a hot yellow on the left.


And because I love to experiment, Alice Saltiel and I checked out the process utilizing painted papers;  it takes a few seconds longer, but works like a charm, and creates a bond that appears stronger than the spray glue I've been using.  YAY!  Take note that the better quality stretch wrap creates a better quality finished product, of course.

If you try this, I'd love to see your photos and hear your comments (windinn@shaw.ca).  Want to test it with other papers?  Let me hear about that too!

Wednesday, 21 March 2012

Something new...

is always in process here in the studio, and this week is no exception.

I got so excited about the painted mat boards I chopped last week that I rushed to do a little study.  I just love the wide variety of blues and greens - can you tell I'm a colourist?

Ocean Bytes  6 x 6 mixed media on board by Win Dinn
I've also been working on another piece, this time in orange tones.  It's in my 'Play' series, and really makes my mouth water.  The topmost layer of paper is a hand-painted  'leather' paper that I teach in my mixed media class, the second paper is a Thai paper purchased many years ago, the third is a magazine 'steal', the fourth is painted canvas support and it's all resting on a mat board portion, topped with a torn paper orange.

Playing with Oranges  8 x 8 mixed media on gallery wrap canvas by Win Dinn
I could undoubtedly do three more paintings with this theme, and not even make a small dent in my orange stash of paper - life is SO good.

Tuesday, 18 October 2011

Confessions of an addict...

I am a paper addict, and have been for years.  For as long as I can remember, I've  folded it and cut it,


painted it, torn it and  incorporated it into artwork,



read it, altered it and marvelled at the thousands of creative ways it can be utilized. 



If I were marooned on a desert island, a container of paper would be my most likely choice of companion (sorry, John...).
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