White on White

Over the years I've done a number of white pieces, because I'm endlessly fascinated by their appearance in different types of lighting.  The photos below are taken in five different types of light.  The first four are strong light from different directions and the last is normal room lighting.

Convergence, lit from below

Convergence, lit from the left

Convergence, lit from the right 

Convergence, lit from above

Convergence, 16 x 20 mixed media by Win Dinn

The strong look engendered by focused light really dramatizes this dimensional painting, but my preference is for the natural light that brings a softness to the flow of paint and fabric.  What's your favourite?